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Publications

Article dans une revue

• The dual influence of the reed resonance frequency and tonehole lattice cutoff frequency on sound production and radiation of a clarinet-like instrument, Erik Alan Petersen, Philippe Guillemain, Michaël Jousserand. Journal of the Acoustical Society of America, 2022, ⟨10.1121/10.0011467⟩
• Characterization of open woodwind toneholes by the tube reversed method, Hector Garcia Mayen, Jean Kergomard, Christophe Vergez, Philippe Guillemain, Michael Jousserand, Marc Pachebat, P. Sanchez. The Journal of the Acoustical Society of America, 2021, 150 (5), pp.3763-3772. ⟨10.48465/fa.2020.0141⟩
• Multistability of saxophone oscillation regimes and its influence on sound production, Tom Colinot, Christophe Vergez, Philippe Guillemain, Jean-Baptiste Doc. Acta Acustica, 2021, 5, pp.33. ⟨10.1051/aacus/2021026⟩
• Woodwind instrument design optimization based on impedance characteristics with geometric constraints, Augustin Ernoult, Christophe Vergez, Samy Missoum, Philippe Guillemain, Michael Jousserand. Journal of the Acoustical Society of America, 2020, 148 (5), pp.2864-2877. ⟨10.1121/10.0002449⟩
• On the tonehole lattice cutoff frequency of conical resonators: applications to the saxophone, Erik Alan Petersen, Tom Colinot, Jean Kergomard, Philippe Guillemain. Acta Acustica, 2020, 4 (4), ⟨10.1051/aacus/2020012⟩
• Multiple two-step oscillation regimes produced by the alto saxophone, Tom Colinot, Philippe Guillemain, Christophe Vergez, Jean-Baptiste Doc, Patrick Sanchez. Journal of the Acoustical Society of America, 2020, 147 (4), pp.2406-2413. ⟨10.1121/10.0001109⟩
• The link between the tonehole lattice cutoff frequency and clarinet sound radiation: a quantitative study, Erik Alan Petersen, Tom Colinot, Philippe Guillemain, Jean Kergomard. Acta Acustica, 2020, 4, ⟨10.1051/aacus/2020018⟩
• Influence of the "Ghost Reed" Simplification on the Bifurcation Diagram of a Saxophone Model, Tom Colinot, Louis Guillot, Christophe Vergez, Philippe Guillemain, Jean-Baptiste Doc, Bruno Cochelin. Acta Acustica united with Acustica, 2019, 105 (6), pp.1291-1294. ⟨10.3813/AAA.919409⟩
• Numerical optimization of a bicylindrical resonator impedance: differences and common features between a saxophone resonator and a bicylindrical resonator, Tom Colinot, Philippe Guillemain, Jean-Baptiste Doc, Christophe Vergez, Michael Jousserand. Acta Acustica united with Acustica, 2019, 105 (6), pp.1217-1227. ⟨10.3813/AAA.919398⟩
• The effect of the cutoff frequency on the sound production of a clarinet-like instrument, E Petersen, P. Guillemain, J. Kergomard, T Colinot. Journal of the Acoustical Society of America, 2019, ⟨10.1121/1.5111855⟩
• Role of the Resonator Geometry on the Pressure Spectrum of Reed Conical Instruments, Jean Kergomard, Philippe Guillemain, Patrick Sanchez, Christophe Vergez, Jean-Pierre Dalmont, Bruno Gazengel, Sami Karkar. Acta Acustica united with Acustica, 2019, 105 (2), pp.368-380. ⟨10.3813/AAA.919320⟩
• Modal analysis of the input impedance of wind instruments. Application to the sound synthesis of a clarinet, Pierre-André Taillard, Fabrice Silva, Philippe Guillemain, J. Kergomard. Applied Acoustics, 2018, 141, pp.271 - 280. ⟨10.1016/j.apacoust.2018.07.018⟩
• Idealized digital models for conical reed instruments, with focus on the internal pressure waveform, Jean Kergomard, Philippe Guillemain, Fabrice Silva, Sami Karkar. Journal of the Acoustical Society of America, 2016, 139 (2), pp.927-937. ⟨10.1121/1.4942185⟩
• Sound production on a ''coaxial saxophone, Jean-Baptiste Doc, Christophe Vergez, Philippe Guillemain, Jean Kergomard. Journal of the Acoustical Society of America, 2016, 140 (5), pp.3917-3924. ⟨10.1121/1.4967368⟩
• The effect of the size of the opening on the acoustic power radiated by a reed woodwind instrument, Alexis Guilloteau, Philippe Guillemain, Jean Kergomard, Michael Jousserand. Journal of Sound and Vibration, 2015, 343, pp.166-175
• Corrigendum to "Approximation formulae for the acoustic radiation impedance of a cylindrical pipe, Fabrice Silva, Philippe Guillemain, Jean Kergomard, Bastien Mallaroni, Andrew N. Norris. Journal of Sound and Vibration, 2015, 336 (3), pp.296. ⟨10.1016/j.jsv.2014.10.001⟩
• Predicting playing frequencies for clarinets: a comparison between numerical simulations and simplified analytical formulas, Whitney Coyle, Philippe Guillemain, Jean Kergomard, Jean-Pierre Dalmont. Journal of the Acoustical Society of America, 2015, 138 (5), pp.2770-2781. ⟨10.1121/1.4932169⟩
• MoReeSC: a framework for the simulation and analysis of sound production in reed and brass instruments, Fabrice Silva, Christophe Vergez, Philippe Guillemain, Jean Kergomard, Vincent Debut. Acta Acustica united with Acustica, 2014, 100 (1), pp.126-138
• The logical clarinet: numerical optimization of the geometry of woodwind instruments., Daniel Noreland, Jean Kergomard, Franck Laloë, Christophe Vergez, Philippe Guillemain, Alexis Guilloteau. Acta Acustica united with Acustica, 2013, 99, pp.615-628. ⟨10.3813/AAA.918641⟩
• An instrumented saxophone mouthpiece and its use to understand how an experienced musician play, Philippe Guillemain, Christophe Vergez, Didier Ferrand, Arnaud Farcy. Acta Acustica united with Acustica, 2010, 96 (4), pp.622-634. ⟨10.3813/AAA.918317⟩
• From clarinet control to timbre perception, Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad. Acta Acustica united with Acustica, 2010, 96 (4), pp.678-689
• Time-frequency analysis to detect bone fracture in impact biomechanics. Application to the thorax, François Gabrielli, Damien Subit, Erick Ogam, Philippe Guillemain, Richard Kent, Catherine Masson. Medical Engineering & Physics, 2009, 31 (8), pp.952-958. ⟨10.1016/j.medengphy.2009.05.007⟩
• Behavior of reed woodwind instruments around the oscillation threshold, Benjamin Ricaud, Philippe Guillemain, Jean Kergomard, Fabrice Silva, Christophe Vergez. Acta Acustica united with Acustica, 2009, 95 (4), pp.733-743. ⟨10.3813/AAA.918201⟩
• Approximation formulae for the acoustic radiation impedance of a cylindrical pipe, Fabrice Silva, Philippe Guillemain, Jean Kergomard, Bastien Mallaroni, Andrew N. Norris. Journal of Sound and Vibration, 2009, 322 (1-2), pp.255-263. ⟨10.1016/j.jsv.2008.11.008⟩
• Bone integrity described by resonance frequency signature, François Gabrielli, Philippe Guillemain, Erick Ogam, Catherine Masson. Computer Methods in Biomechanics and Biomedical Engineering, 2008, 11 (S1), pp.95 - 96. ⟨10.1080/10255840802297200⟩
• Some roles of the vocal tract in clarinet breath attacks: natural sounds analysis and model-based synthesis, Philippe Guillemain. Journal of the Acoustical Society of America, 2007, 121 (4), pp.2396-2406. ⟨10.1121/1.2642173⟩
• Dynamic simulation of note transitions in reed instruments : application to the clarinet and the saxophone, Philippe Guillemain, Jonathan Terroir. Lecture Notes in Computer Science, 2006, 3902, pp.1-23
• Real-time synthesis of clarinet-like instruments using digital impedance models, Philippe Guillemain, Jean Kergomard, Thierry Voinier. Journal of the Acoustical Society of America, 2005, 118, pp.483-494. ⟨10.1121/1.1937507⟩
• Characterization of musical performance using physical sound synthesis models, Philippe Guillemain, Thierry Voinier. Lecture Notes in Computer Science, 2004, 2771, pp.64-73
• Synthèse temps-réel d'instruments à vent, Philippe Guillemain. La lettre du SPI, 2004, 38, pp.en ligne
• A Digital Synthesis Model of Double-Reed Wind Instruments, Philippe Guillemain. Eurasip Journal on Applied Signal Processing, 2004, 4 (7), pp.990-1000. ⟨10.1155/S1110865704402194⟩
• Asymptotic wavelet and Gabor analysis: extraction of instantaneous frequencies, Nathalie Delprat, Bernard Escudié, Philippe Guillemain, Richard Kronland-Martinet, Philippe Tchamitchian, Bruno Torresani. IEEE Transactions on Information Theory, 1992, ⟨10.1109/18.119728⟩
• Extraction of Modulation laws of Elastic Shells by the use of the Wavelet Transform., Ginette Saracco, Jean-Pierre Sessarego, Jean Sageloli, Philippe Guillemain, Richard Kronland-Martinet. Research Notes in Applied Mathematics, Masson-Springer, 1991, Wavelets and Applications, Ed Y. Meyer (Research Notes in Applied Mathematics, serie eds P.J. Ciarlet & J.L. Lions), pp.61-68

Chapitre d'ouvrage

• Recherches et musiques au LMA, Jacques Chatron, Tom Colinot, Ossen El Sawaf, Hector Garcia, Natacha Grauer, Philippe Guillemain, Louis Guillot, Jean Kergomard, Thimothée Maison, Sabine Meunier, Marc Pachebat, Erik Petersen, Alix Reynier, Patrick Sanchez, Fabrice Silva, Christophe Vergez. Christophe d’Alessandro and Achille Davy-Rigaux and Christophe Pirenne and Solène Bellanger and Sylvie Pébrier and Julie Rosenkranz and Florence Roy and Mickaël Robert-Gonçalves (dir.). Recherches en musique Actes des Rencontres nationales sur les recherches en musique, Collegium Musicæ de l'Alliance Sorbonne Université, pp.373-381, 2023, Collection MusiqueS & Interdisciplinarité, ⟨10.25836/rnrm.2020.43⟩
• The clarinet timbre as an attribute of expressiveness, Philippe Guillemain, Robin T. Helland, Richard Kronland-Martinet, Sølvi Ystad. Uffe Kock Wiil. Computer Music Modeling and Retrieval, 3310, Springer Verlag, pp.246-259, 2005, Lecture Notes in Computer Science, 978-3-540-24458-5. ⟨10.1007/978-3-540-31807-1_19⟩

Communication dans un congrès

• A New Approach to Measure Vocal Tract Resonances. Application to a Modern Singing Study, Timothée Maison, Timothée Maison, Fabrice Silva, Philippe Guillemain, Nathalie Henrich Bernardoni. PEVoC 2022 - 14th Pan-European Voice Conference, Aug 2022, Tallinn, Estonia
• Précision et limites des mesures de résonance d’un conduit vocal par excitation acoustique aux lèvres : simulation numérique et étude sur maquettes, Timothée Maison, Timothée Maison, Baptiste Allain, Fabrice Silva, Philippe Guillemain, Nathalie Henrich Bernardoni. CFA 2022 - 16ème Congrès Français d'Acoustique, Société Française d'Acoustique; Laboratoire de Mécanique et d'Acoustique, Apr 2022, Marseille, France
• Séparation et reconstruction d’arêtes par analyse en chirplets d’ordres supérieurs, Timothée Maison, Timothée Maison, Fabrice Silva, Nathalie Henrich Bernardoni, Philippe Guillemain. CFA 2022 - 16ème Congrès Français d'Acoustique, Société Française d'Acoustique; Laboratoire de Mécanique et d'Acoustique, Apr 2022, Marseille, France
• [Prix Yves Rocard 2021] Comportements non linéaires liés à la production du son dans les instruments à anche simple, Tom Colinot, Jean-Baptiste Doc, Philippe Guillemain, Michael Jousserand, Patrick Sanchez, Christophe Vergez. 16ème Congrès Français d'Acoustique, CFA2022, Société Française d'Acoustique; Laboratoire de Mécanique et d'Acoustique, Apr 2022, Marseille, France
• Practical Guidelines for Implementing Vocal Tract Resonances Characterization with Excitation at the Lips, Timothée Maison, Timothée Maison, Baptiste Allain, Patrick Hoyer, Fabrice Silva, Philippe Guillemain, Nathalie Henrich Bernardoni. MAVEBA 2021 - 12th International Workshop Models and Analysis of Vocal Emissions for Biomedical Applications, Dec 2021, Florence, Italy
• The effect of the tonehole lattice cutoff frequency on sound production for conical resonators, Tom Colinot, Erik Petersen, Philippe Guillemain. Forum Acusticum, Dec 2020, Lyon, France. pp.3181-3184, ⟨10.48465/fa.2020.0055⟩
• How to include several acoustic characteristics in the design of woodwind instruments?, Augustin Ernoult, Missoum Samy, Philippe Guillemain, Christophe Vergez, Michael Jousserand. ISMA 2019 - International symposium on Music Acoustics, Sep 2019, Detmold, Germany
• Comment l'optimisation peut-elle être une aide à la facture instrumentale ?, Augustin Ernoult, Samy Missoum, Michael Jousserand, Philippe Guillemain, Christophe Vergez, Patrick Sanchez. Congrès Français d'Acoustique, Apr 2018, Le Havre, France
• Some paradoxes of the "cylindrical saxophone, Jean Kergomard, Philippe Guillemain, Fabrice Silva, Christophe Vergez. 9th Iberian Acoustics Congress and 47th Spanish Congress on Acoustics, EuroRegio'2016, Jun 2016, Porto, Portugal
• Analogie expérimentale et numérique entre un saxophone et un aérophone à deux cylindre coaxiaux, Tom Colinot, Jean-Baptiste Doc, Philippe Guillemain, J. Kergomard, Patrick Sanchez, Christophe Vergez. CFA 2016/VISHNO, Apr 2016, Le Mans, France. pp.396
• Simulation en temps réel de l'impédance d'entrée mesurée ou calculée des instruments à vent, Pierre-André Taillard, Fabrice Silva, Philippe Guillemain. 13ème Congrès Français d'Acoustique, Apr 2016, Le Mans, France
• Saxophone cylindrique coaxial: une étude sur la production du son, Jean-Baptiste Doc, Christophe Vergez, Philippe Guillemain, Jean Kergomard. CFAA2016 / VISHNO, Apr 2016, Le Mans, France
• Rapid creation of tuning maps for a clarinet using analyric formulas, Whitney Coyle, J. Kergomard, Philippe Guillemain. International Symposium of Musical Acoustics, Jul 2014, Le Mans, France. pp.295-299
• Dependence of the acoustic power produced by a woodwind on the tonehole size, Alexis Guilloteau, Philippe Guillemain, J. Kergomard. International Symposium of Musical Acoustics, Jul 2014, Le Mans, France. pp.241-245
• Rapid creation of tuning maps for a clarinet using analytic formulas, Whitney Coyle, Jean Kergomard, Philippe Guillemain. International symposium on musical acoustics (ISMA 2014), Jul 2014, Le Mans, France. pp.295-299
• Dependence of the acoustic power produced by a woodwind on the tonehole size, A Guilloteau, P Guillemain, J Kergomard. International symposium on musical acoustics, Jul 2014, Le Mans, France. pp.241-245
• Several ways to stop a note in a clarinet - a comparative view of note extinctions, P Guillemain, Christophe Vergez, A Almeida. International Symposium of Musical Acoustics, Jul 2014, Le Mans, France. pp.183-187
• Descriptive maps to illustrate the quality of a clarinet, Whitney Coyle, Philippe Guillemain, Jean-Baptiste Doc, Alexis Guilloteau, Christophe Vergez. 168th Meeting of the Acoustical Society of America, 2014, Indianapolis, United States
• What we understand today on formants in saxophone sounds?, Jean Kergomard, Philippe Guillemain, Sami Karkar, Jean-Pierre Dalmont, Bruno Gazengel. 44º CONGRESO ESPAÑOL DE ACÚSTICA, Oct 2013, Valladolid, Spain. pp.1209-1216
• WHAT WE UNDERSTAND TODAY ON FORMANTS IN SAXOPHONE SOUNDS?, Jean Kergomard, Philippe Guillemain, Sami Karkar, Jean-Pierre Dalmont, Bruno Gazengel. 44º Congreso Español de Acústica Encuentro Ibérico de Acústica EAA European Symposium on Environmental Acoustics and Noise Mapping (TECNIACUSTICA 2013), Oct 2013, Valladolid, Spain. pp.1209-1216
• An attempt at predicting the variation in playing frequencies forclarinets, Whitney Coyle, J. Kergomard, Philippe Guillemain, Christophe Vergez, Alexis Guilloteau. Stockholm Music Acoustics Conference 2013, Jul 2013, Stockholm, Sweden. pp.350-357
• Some simulations of the effect of varying excitation parameters on the transients of reed instruments, Fabrice Silva, Vincent Debut, Philippe Guillemain, Jean Kergomard, Christophe Vergez​. 21st International Congress on Acoustics (ICA 2013), Jun 2013, Montréal, Canada. pp.4aMU4, ⟨10.1121/1.4799457]⟩
• Minimum models for self-sustained oscillations of conical reed instruments., Jean Kergomard, Fabrice Silva, Philippe Guillemain. Meeting ot the Acoustical Society of America, May 2012, Hong Kong, China. pp.3470
• Choice of algorithms for reed instruments oscillations: how to solve the equation for the nonlinear characteristics?, Jean Kergomard, Philippe Guillemain, Fabrice Silva. Acoustics 2012, Apr 2012, Nantes, France
• Diesel knock noise from combustion phenomenon to perceived signals, Olivier Sauvage, Alexandre Laurac, Marie-Céline Bezat, Vincent Roussarie, Philippe Guillemain. Acoustics 2012, Apr 2012, Nantes, France
• Influence of the reed flow on the intonation of the clarinet, Jean-Pierre Dalmont, Philippe Guillemain, Pierre-André Taillard. Acoustics 2012, Apr 2012, Nantes, France
• Decay transients in single reed wind instruments, Philippe Guillemain, Christophe Vergez. Acoustics 2012, Apr 2012, Nantes, France
• The way timbre shapes musical preference: a clarinet performance case study, Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad. Performance Studies Network (PSN) International Conference, Jul 2011, Cambridge, United Kingdom
• Cutoff frequencies of a clarinet. What is acoustical regularity?, Jean Kergomard, Elise Moers, Jean-Pierre Dalmont, Philippe Guillemain. Forum Acusticum 2011, Jun 2011, Aalborg, Denmark. pp.533-538
• Generic resonator models for real-time synthesis of reed and brass instruments, Philippe Guillemain, Jean Kergomard. Forum Acusticum 2011, Jun 2011, Aalborg, Denmark. pp.515-520
• Cutoff frequencies of a clarinet. What is acoustical regularity?, Jean Kergomard, Elise Moers, Jean-Pierre Dalmont, Philippe Guillemain. 6th Forum Acusticum, Jun 2011, Aalborg, Denmark. pp.533-538
• Generic resonator models for real-time synthesis of reed and brass instruments, Ph Guillemain, Jean Kergomard. 6th Forum Acusticum, Jun 2011, Aalborg, Denmark
• De l'utilisation de la décomposition modale pour la synthèse sonore temps réel : écueils et solutions, Philippe Guillemain, Fabrice Silva. 10ème Congrès Français d'Acoustique, Apr 2010, Lyon, France. CD-ROM(6 p.)
• Rôles du contrôle et du timbre dans la perception du naturel de sons de clarinette, Philippe Guillemain, Adrien Merer. 10ème Congrès Français d'Acoustique, Apr 2010, Lyon, France
• Un bec de saxophone instrumenté et son utilisation pour inspecter les stratégies d'un musicien expérimenté, Philippe Guillemain, Christophe Vergez, Didier Ferrand. Colloque IRCAM "Le temps du souffle", Nov 2009, France
• Towards a fracture criterion based on time-scale analysis, François Gabrielli, Catherine Masson, Erick Ogam, Philippe Guillemain. XIXème Congrès Français de Mécanique (CFM'09), Aug 2009, Marseille, France. CD-ROM (6 p.)
• Bone integrity described by resonance frequency signature, François Gabrielli, Philippe Guillemain, Erick Ogam, Catherine Masson. 33ième Congrès de la Société de Biomécanique, Sep 2008, France. pp.95-96, ⟨10.1080/10255840802297200⟩
• Exploration of timbre variations in music performance, Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad. Acoustics'08, Jun 2008, Paris, France
• Vibration spectroscopy and guided wave propagation data as indicators of structural and mechanical degradation of human bones, Erick Ogam, Armand Wirgin, Zine El Abiddine E.A. Fellah, Catherine Masson, Philippe Guillemain, François Gabrielli, Jean-Philippe Groby, Robert Gilbert. Acoustics`08 Paris, Jun 2008, Paris, France
• Simulation of single reed instruments oscilations based on modal decomposition of bore and reed dynamics, Fabrice Silva, Vincent Debut, Jean Kergomard, Christophe Vergez, Aude Deblevid, Philippe Guillemain. Proceedings of the International Congress of Acoustics, Sep 2007, Madrid, Spain. CD-ROM(6 p.)
• Combining physical modeling and additive synthesis as a mapping strategy for realtime control, Philippe Guillemain, Vincent Verfaille. International Computer Music Conference, Aug 2007, Denmark. pp.442-449
• Digital synthesis models of clarinet-like instruments including nonlinear losses in the resonator, Philippe Guillemain, Jonathan Terroir. Digital Audio Effects, Sep 2006, Montréal, Canada. pp.83-88
• Synthèse sonore de la clarinette avec modèle de résonateur à trous latéraux optimisé sur des impédances d'entrée d'une clarinette réelle, Fabrice Silva, Philippe Guillemain, Jean Kergomard, Jean-Pierre Dalmont. 8ème Congrès Français d'Acoustique, 2006, Tours, France
• On the relative influence of even and odd harmonics in clarinet timbre, Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad. 2005, pp.351-354
• Objective and subjective simulation of note transitions in reed instruments, Philippe Guillemain, Jonathan Terroir. 2005, pp.68-86
• A simple dynamic tone hole model for real-time synthesis of clarinet-like instruments, Jonathan Terroir, Philippe Guillemain. 2005, pp.339-342
• Synthèse temps-réel d'instruments à vent, Philippe Guillemain, Jean Kergomard, Thierry Voinier. Ateliers du Forum Ircam, Apr 2004, Paris, France
• Period doubling on cylindrical reed instruments, Jean Kergomard, Jean-Pierre Dalmont, Joel Gilbert, Philippe Guillemain. Congrès français d'acoustique / Deutsche Jahrestagung für Akustik, Mar 2004, Strasbourg, France. pp.113-114
• Towards a Better Understanding of the Relationship Between the Clarinet Timbre and the Playing, Philippe Guillemain, R. Helland, Richard Kronland-Martinet, Sølvi Ystad. 2004
• Granular synthesis for engine noise, Irina Zhekova, Philippe Guillemain. International Conference on Noise and Vibration Engineering - ISMA, 2004, Leuven (20-22 septembre), Belgium
• Time-Frequency Analysis and Granular Synthesis of Engine Noise, Irina Zhekova, Philippe Guillemain. Internoise, 2004, Prague, 22-25 août, Czech Republic
• Sound synthesis as a tool for characterization of musical performance and performer, Philippe Guillemain, Thierry Voinier. 2003, pp.66-75
• Real-time synthesis models of wind instruments based on physical models, Philippe Guillemain, Jean Kergomard, Thierry Voinier. 2003, pp.389-392
• Modélisation de signaux sonores par transformées temps-échelle et temps-fréquence, G Courbebaisse, Bernard Escudié, Philippe Guillemain, Richard Kronland-Martinet. 3ème Congrés français d'acoustique - J. Phys. IV France 04, May 1994, Lyon, France
• Characterization of elastic shells by the use of the wavelet transform, Ginette Saracco, Philippe Guillemain, Richard Kronland-Martinet. Ultrasonics Symposium, Dec 1990, Honolulu, United States. pp.881-885